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Seedance 2.5 guide

Seedance 2.5 Official Guide

License: CC BY 4.0 Get Seedance 2.5 API Official Guide API Key

English · Español · Português · 日本語 · 한국어 · Deutsch · Français · Türkçe · 简体中文 · 繁體中文 · Русский

🍌 Introduction

Seedance 2.5 is now open through EvoLink. This repository turns the official Seedance 2.5 launch materials into a GitHub-native guide for creators, developers, and AI video teams.

The guide covers 36 official media assets across launch demos, showcase works, narrative control, multilingual expression, and controllable editing. The examples are official cases, so individual case blocks do not include creator attribution or source lines.

Get Seedance 2.5 API · Get API Key · Current Seedance API Examples

Looking for Seedance 2? The original guide is preserved here: Original Seedance 2 Guide · 55-case index.

Note

Current runnable API snippets still use the stable Seedance 2 API path while Seedance 2.5 is rolling out. Do not replace verified seedance-2.0-* model IDs with unverified 2.5 IDs.

📑 Menu

  • Introduction
  • Quick Start
  • Original Seedance 2 Guide
  • Official Seedance 2.5 Guide
  • Repository Structure
  • Acknowledge

🚀 Quick Start

Use this repo to inspect official 2.5 examples, copy prompt structures, and join the 2.5 rollout.

Note

This Quick Start intentionally keeps the current verified seedance-2.0-text-to-video model ID and the current Seedance 2 API path. Seedance 2.5 API is avaible ; do not replace the runnable 2.0 model ID with an unverified 2.5 model ID yet.

export EVOLINK_API_KEY="your_key_here"

curl --request POST \
  --url https://api.evolink.ai/v1/videos/generations \
  --header "Authorization: Bearer ${EVOLINK_API_KEY}" \
  --header 'Content-Type: application/json' \
  --data '{
    "model": "seedance-2.0-text-to-video",
    "prompt": "A cinematic product reveal, slow dolly-in, reflective glass table, premium commercial lighting",
    "duration": 5,
    "quality": "720p",
    "aspect_ratio": "16:9",
    "generate_audio": true
  }'

🧭 Original Seedance 2 Guide

The new Seedance 2.5 official guide is placed first. The full original Seedance 2 guide is preserved as a legacy jump target for the current API path, use-case writing patterns, prompt templates, parameter notes, and multimodal workflow notes.

🎬 Official Seedance 2.5 Guide

Above the fold video

Case 1: Above the fold video 1

Above the fold video 1

Play video · Click the thumbnail to play the video.

Prompt:

A high-end, cinematic 30-second 3D motion graphics sequence, using exquisite steampunk and retro miniature landscape styles, with continuous and smooth surrounding and penetrating camera movements.
[0-10 seconds]: Macro close-up of an antique brass clock face, miraculously unfolding into intermeshing rotating gear rings and volumetric fog. The camera penetrates downward through the gears, and a mechanical ornithopter is hovering into the sky from a miniature canyon made of stacks of old ancient books.
[10-20 seconds]: The camera follows the trajectory of the ornithopter as it glides forward, seamlessly penetrating into a high-speed rotating ornate brass phantom box (Zoetrope), which projects dynamic light and shadow of a galloping mechanical horse. The light and shadow jumped out of the box, and the scene instantly transformed into a brass-textured suspended cable car, which was traveling through the forest of mechanical gears along the shimmering copper rails, bathed in movie-level golden hour light.
[20-30 seconds]: The camera pans gracefully downward, and a beautiful clockwork wooden mechanical sailboat appears below the cable car, cutting through the undulating waves made of dark blue glass. The end of the waves seamlessly evolved into a giant glowing moon, and silhouettes of a group of explorers holding swaying lanterns were trekking along the ridge of the crystal mine under the stars. The camera zooms out in a smooth spiral, through ethereal clouds, and back to the grand, ticking brass clock face.
Technical specifications: Hyper-realistic mechanical textures, rich brass and gold tones, and cinematic shallow depth of field. Smooth and coherent seamless shuttle movement, a strong sense of epic and fantasy adventure atmosphere.

Case 2: Above the fold video 2

Above the fold video 2

Play video · Click the thumbnail to play the video.

Prompt:

A fast-paced, cinematic seamless transition (match-cut) short film with dynamic electronic beats. A flawless crystal ball is always fixed in the center of the painting, with the luminous ‘seedance’ logo engraved inside. The crystal ball maintains extreme focus, and with the powerful music drum beat, the background switches seamlessly at high speed:
Scene 1: Macro close-up, film-like water splashing around the crystal ball, refracting complex light and shadow.
Scene 2: A retro cafe in the morning. The crystal ball is placed on the wooden table. The background is the rising steam of coffee and the blurry flow of commuters outside the window.
Scene 3: At the golden hour of the evening, a skateboarding young man throws a crystal ball with one hand. The background is the rapidly regressing street scene and the beautiful sunset backlight.
Scene 4: At the Frenzy Music Festival, people hold up crystal balls, reflecting the stage laser with a gorgeous background.
Scene 5: A lively family party table, with a crystal ball in the center and blurry figures in the background celebrating a toast and taking food.
Scene 6: In a dark cinema, both hands hold a crystal ball, and the dim light of the huge screen flows on its surface.
Scene 7: The crystal ball is placed on the strongly vibrating sound diaphragm, and seamlessly switches to the center of the rotating DJ player with the climax of the music.
Scene 8: Outdoor camping night, the background changes to a warm bonfire and swaying light spots (Bokeh).
Throwing and ending: With the final accent of the music, the crystal ball was thrown high above the screen; it instantly cut to a pure black background, and the minimalist white word "seedance" on a black background appeared in the center of the screen.
Closely follow the dynamic BGM rhythm editing (stuck transition), top-notch cinematic color grading (Cinematic Color Grading). Realistic glass refraction and transmission materials, complex ray tracing, and global illumination. The subject is extremely clear, the background has strong dynamic blur, and the visual impact is extremely strong.

Case 3: Above the fold video 3

Above the fold video 3

Play video · Click the thumbnail to play the video.

Reference assets: 5

Prompt:

Cinematic brand concept short film.<<<image_1_1>>>is the first frame, the screen shakes slightly, the camera gradually zooms in, and comes to the rapidly receding tree shadow outside the window. The tree shadow recedes faster and faster, and suddenly cuts to<<<image_2_2>>>, the speed suddenly slows down, the camera slowly moves along the stream, and the birds are singing and the flowers are fragrant.
The camera moved down to the water. The sound effect included the sound of bubbles in the water. A group of orange jellyfish swam gracefully in front of the camera.<<<image_3_3>>>. The camera slowly pulled back. A group of small fish swayed past the camera and passed through the water and into the window.<<<image_4_4>>>. The girl looked left and right, watching the small fish.
The camera slowly pulls back and the picture is out of focus, then refocuses and the picture becomes clear, switching to the rhythm of the music: Chinese garden window<<<image_5_5>>>light circles, church glass stained windows, aircraft portholes, dome skylights, bay windows, blinds, European dormer windows, cat eyes on doors, camera viewfinders, bird eyes, and close-ups of human eyes.
The screen stays on a close-up of human eyes, then the eyes are closed, and the screen goes black. Then suddenly the eyes are opened, and the word "seedance" with an accent appears in the center of the eyes.

Note

This official case also includes reference assets listed in the manifest.


User works

Case 4: visual effects 1

visual effects 1

Play video · Click the thumbnail to play the video.

Prompt:

A 15-second seamless looping creative text animation video, 4K, 30fps. Each language takes about 1.2 seconds, and the transition is achieved through text dissolution, deformation, or particle scattering, without hard cuts. The background music has an obvious rhythm and strong lag
0-1.2s Chinese "Creation"·Op optical illusion pure black background, black and white concentric circles spread out from the center to form a visual tunnel. The white three-dimensional Chinese character "Creation" slowly protrudes from the center of the circle toward the camera. It is bold and sans serif with subtle shadows on the edges. The concentric circles create ripples and distortions as the text advances, like ripples on water. The text paused after it was completely protruded, then dissolved into blue crayon particles and floated away.
1.2-2.4s English "CREATE" · Hand-painted crayon warm yellow kraft paper texture background, rough blue crayon strokes write the uppercase English "CREATE" one by one. The brush strokes have obvious pastel graininess and overlapping marks, and the last horizontal line of the E is slightly raised. After writing, the surface of the letters has a slight waxy sheen, and faint pencil auxiliary lines appear on the background. The text is then sucked into the CRT scan lines and disappears.
2.4-3.6s Spanish "CREAR" · Retro arcade dark arcade frame, the central CRT screen has subtle scan lines and phosphor powder graininess. The three-dimensional pixel word "CREAR" with blue and purple gradient rises from the bottom. The surface of the letters has a white ripple animation like ocean waves, and the edge emits neon blue light. There is "CREDIT 00" in the upper left corner of the screen, and "INSERT COIN" flashes in the lower right corner. The text then pixelated and disintegrated into an indigo batik pattern.
3.6-4.8s Indonesian "CIPTAKAN" · Batik fabric. Dark indigo blue traditional Indonesian batik fabric background, with fine parabolic patterns on the cloth surface. The white serif font "CIPTAKAN" slowly rises from the bottom of the fabric, like hot stamping, and the fabric creates real wrinkles and fluctuations as the text emerges. After the words appeared, the cloth was blown up by the wind, and the golden debris flew around, turning into Islamic geometric patterns.
4.8-6.0s Malay "CIPTA"·Islamic Geometry. Dark green velvet background, golden arabesque geometric patterns spread from the four corners to the center. The white classical serif word "CIPTA" rotates and emerges from the center. The letters are surrounded by star patterns and gold powder particles fall. The words were then carved verbatim into the black metal plaque with a gold engraving knife.
6.0-7.2s Thai "สร้างสรรค์" · Gold foil engraving on black background, Thai "สร้างสรรค์" is presented in gold, as if carved from an ancient temple plaque. There is a subtle animation of gold foil peeling off the surface of the text, revealing the dark red primer underneath, with golden shards flying around. After the engraving is complete, the words melt into silver mercury drops and drip.
7.2-8.4s Arabic "إبداع" · Mechanical page turning. The black metal page-turning display occupies the entire screen, and the mechanical blades click and turn in turn. The Arabic text "إبداع" composed of white pixel grids appears one by one from right to left, and each letter flip is accompanied by precise mechanical movement and slight vibration. When the page turn is complete, the text is swept away by a storm of colorful samba feathers.
8.4-9.6s Portuguese "CRIAR" · Carnival Feathers. On a black background, colorful samba feathers converge from the edge of the picture to the center to form a huge feather fan. The white bold letters "CRIAR" burst out from the center of the feather fan, and the feathers flew around with the impact of the words. The surface of the words was reflected by Carnival sequins, and the green, yellow, and blue spots of the Brazilian flag flashed. The text was then washed out with black ink.
9.6-10.8s Vietnamese "SÁNG TẠO" · Ink silk. On an off-white silk background, black ink slowly flows from the top of the picture, gradually forming the Vietnamese word "SÁNG TẠO". The ink creates a natural smudged edge on the silk, and some of the ink droplets drip down to form hanging ink beads. After completion, the silk was blown up by the wind, revealing the dark pattern of the lotus underneath, and the text condensed into a transparent glass ball.
10.8-12.0s "Creation" in Japanese · Optical glass A perfect transparent optical glass ball is suspended in the center of a pure black background. The ball reflects rainbow-colored astigmatism. Behind the glass ball, the Japanese Chinese character "Creation" is presented in a rainbow dispersion projection. As the glass ball slowly rotates, the text produces optical distortion that twists, stretches, and separates. There are fine dust particles on the surface of the glass sphere, which then melts into a silvery liquid metal.
12.0-13.2s Korean 「창조」· Liquid metal. Against the background of the deep starry sky, silver liquid mercury drips from the top of the picture and naturally condenses into the Korean word "창조" in the air. The surface of the liquid characters has strong specular reflection, reflecting the surrounding stars. After the words were formed, part of the mercury liquid continued to drip downward, forming hanging metal beads. Eventually, all the metal liquid gathered into a huge silver sphere.

Case 5: Movie 2

Movie 2

Play video · Click the thumbnail to play the video.

Prompt:

【Overall style setting】
A 30-second high-end brand-level visual blockbuster with a strong cinematic feel and high-end texture. The picture emphasizes dreamy light spots (Bokeh), silky motion blur transitions (Motion blur), volumetric lighting, and ultra-realistic material detail expression.
[Storyboard description]
[0-5 seconds]: Dream prologue and macro close-up
Extremely high quality macro close-ups. A slender hand stretched into the air, and its fingertips touched colorful spots as bright and twinkling as stars. With the flow of light and shadow, the scene seamlessly and smoothly transitions to an elegant woman wearing a pure white tulle skirt, who is playing a vintage piano intoxicatedly. Shallow depth of field, the background blurs into a beautiful blue-green tone.
[5-15 seconds]: Then cut to a smooth follow shot: a woman wearing a French wide-brimmed straw hat and a flowing white skirt, running lightly in the dense flower path full of pink-orange roses and blue hydrangeas. The light casts dappled light and shadow through the leaves, perfectly showing the gentle breeze, the realistic physics of the skirt fabric fluttering, and the ultra-realistic texture of the petals.
[15-24 seconds]: Quiet aesthetics and light and shadow refraction
The rhythm of the camera slows down and enters the ultimate beautiful slow motion (Slow-motion). A girl is sitting at a black wrought iron table next to a European retro golden fountain and reading quietly. There are crystal clear soap bubbles floating in the air, and the surface of the bubbles perfectly reflects the surrounding flowers and warm sunshine. The moment when water droplets splash is clearly visible, demonstrating the model's top-level rendering capabilities for transparent materials, water refraction, and complex lighting.

Case 6: Post-production effects 3

Post-production effects 3

Play video · Click the thumbnail to play the video.

Prompt:

A deep-sea coral reef scene, a tropical underwater world dominated by blue, with a large area of healthy and prosperous colorful live corals, including branch corals, brain corals, disc corals and soft sea fan corals, with a large number of tropical fish naturally shuttled among them. The close-up view is clear and vivid, while the distant view gradually turns bluer and grayer, and the contrast weakens. The natural light above is filtered by the seawater to form a soft volumetric light. There are small suspended particles and a slight sense of flow in the seawater. 8-12 of various sizes. The umbrella-shaped body has a soft bioluminescence effect, the tentacles flutter gently with the waves, and there are faint purple light spots at the ends of the tentacles. The size of the jellyfish is in proportion to the corals and fish, and the luminous effect is soft and non-glaring, forming dreamy spots of light on the dark seawater background. The movement of the jellyfish swarm is natural, in a slowly rising spiral, and some jellyfish swim past the front of the lens, creating a slight lens flare effect. Keeping the blue-toned lighting underwater, the glow of the jellyfish coexists harmoniously with the faint reflections of the surrounding corals. During the swimming process of the jellyfish group, bubbles were generated, and the bubbles floated up, forming the word "Seedance" in the sea.

Case 7: Movie 4

Movie 4

Play video · Click the thumbnail to play the video.

Prompt:

Cinematic texture, high-end sense, golden desert in the morning, a minimalist white art museum building floating above the sand dunes, with fine stone textures and soft reflections on the building surface. Sunlight passes through the sand and dust to form volumetric light, and the dunes in the distance are clearly layered. The camera starts from an ultra-wide-angle desert panorama, slowly moves forward, passes through the flying sand, and enters the interior of the floating building. The interior features suspended sculptures, translucent silk installations and a character in a white robe, with the fabric swaying naturally in the wind. The camera moves smoothly around the characters, and finally the building walls slowly open up to reveal a vast expanse of sky and desert. High-end artistic advertising style, real lighting, exquisite materials, movie-level composition, elegant movement, surreal but authentic.

Case 8: Advertising 5

Advertising 5

Play video · Click the thumbnail to play the video.

Prompt:

A 30-second high-level brand concept short film with great visual tension. The opening adopts a surreal inverted perspective. The camera flips with gravity, showing the model's feet wearing retro suede boots stepping lightly on the undulating red sand dunes. The macro lens closes up the frosted velvet texture of the boots' surface and the rough red sand particles stained on it. Then it cuts to a series of montages full of weightlessness and dreamy colors: young male and female models fall lightly backward amidst the surging amber wind and sand and the cold edge light; the camera quickly cuts to a very sharp close-up of the face - the wind and sand blow through the eyelashes stained with tiny golden sand, and the model wears retro metal frame sunglasses, the scorching sun and storm of the wilderness are clearly reflected in the curved lenses. Then, the fingers wearing old and thick silver rings gently brushed against the rough rock walls and the reeds dancing in the wind.
The images make extensive use of highly expressive lens language: through a very low-angle macro lens, through the blurred and clear natural mineral crystals, the deep and vast starry sky and the explorers traveling wantonly are captured from above. The grand scene is densely interspersed with high-quality close-ups: the texture of the slub linen shirt rustling in the wind, the model's tight and cold jawline, and the sheen of sweat on the skin of the neck shining under the backlight. Combining fisheye lenses, fast rotating camera movements and silky visual dislocation transitions, it creates a mysterious dynamic that is avant-garde and full of wild tension.
At the climax of the short film, the camera zooms out dramatically, breaking the 'fourth wall', revealing that this is actually an advanced virtual studio with a giant LED star track circular canopy and a real red sand array, perfectly colliding with the vastness of the wilderness and the sense of a pioneering industrial studio. At the end, the pace slows down and returns to a close-up of delicate textures: a woman with disheveled hair leans against a retro off-road vehicle. The camera slowly sweeps across the mottled and peeling heavy metal paint on the vehicle. The woman casually lets the fine sand in her palm slip from her fingers. The cool and bright moonlight side light accurately outlines the rough fabric pores of the distressed leather jacket, the cold light reflected by the heavy metal zipper, and the woman's cold three-dimensional facial contour. The overall design presents a retro film-level color aesthetic, with deep night blue intertwined with fiery mineral orange. The picture is atmospheric, free, and full of high-quality brand tension. Finally, the text "seedance" gracefully appears in the center of the picture.

Case 9: Movie 6

Movie 6

Play video · Click the thumbnail to play the video.

Prompt:

Peking Opera intangible cultural heritage short film, with a cinematic feel, oriental aesthetics, warmth and restraint. In the backstage of traditional theater troupes and handicraft workshops, master craftsmen quietly make Peking opera headdresses, arrange costumes, and outline facial makeup. The details of their hands are delicate, and the silk threads, beads, paints, and embroidery patterns are all of high quality. A young apprentice watched carefully, then carefully took the tools and completed the small steps under the guidance of the master. The old master straightened his head and straightened his clothes, as if gently handing over a craft and emotion into his hands. Finally, the young man was dressed neatly and stood beside the stage where he was about to go on stage. The dim light illuminated his costume and profile, and the old master watched quietly behind him. The overall atmosphere is quiet, affectionate, and has a sense of heritage, with few subtitles and appropriate lines interspersed.

Case 10: Game 7

Game 7

Play video · Click the thumbnail to play the video.

Prompt:

"Oceanic Civilization"
(Epic science fiction / Dune × Interstellar / No real person / Sculpture life form)
[0–5 seconds | Cosmic opening·Ocean as planetary memory]
The deep blue ocean occupies the entire scene, and the extremely deep water bodies present a layered structure, just like the liquid universe inside the planet.
The camera slowly drops vertically from a high altitude, passes through the clouds and sea fog, and enters the sea.
The sea surface fluctuates like a metal film, refracting irregular cracks in the sun's rays, creating an epic volumetric light.
[5–10 seconds | Entering the deep sea civilization fault]
The lens penetrates the sea surface and enters the deep sea.
The huge "undersea civilization structure" gradually emerged:
Fractured ring-shaped megastructures, sunken stone domes, and floating geometric ruins platforms.
The structural style combines ancient temples + alien civilization technology sense (similar to Dune ruins language).
There are shimmering particles suspended in the water, like stardust slowly drifting through the water.
[10–15 seconds | Sculpture life form appears (non-human)]
In the center of the theater, stands a giant sculpture of a life form:
A "humanoid statue" made of white stone and translucent minerals, but without life details (no skin, no real human features).
Its posture is like an ancient ritual structure, and its body has a segmented geometric structure, similar to the memory carrier of civilization.
The surface of the sculpture has been eroded by water for a long time and is covered with seaweed and coral crystal structures.
The camera slowly circles the sculpture, creating a "sense of the arrival of the gods."
[15–20 seconds|Civilization is awakened·Optical flow activated]
The entire underwater ruins began to "wake up."
Faint energy flowing light patterns appear inside the sculpture, lighting up like a neural network.
The broken stone pillars slowly rise and reorganize to form an annular theater structure.
The water body began to show "orderly flow", as if the space was being recalculated.
The camera is surrounded by static → slightly accelerated rotation.
[20–24 seconds | Sea surface reversal · rising breakthrough]
The camera suddenly accelerates upward and out of the sea.
The seawater separated to both sides, forming a giant water curtain.
The hull of a giant spaceship/temple from an ancient civilization rises from the bottom of the sea:
It looks like a cross between a stone temple and a sci-fi ship, with its surface covered in coral and mineralized structures.
The hull of the ship rises like a waterfall with the sea water.
[24–27 seconds | Epic rotating shot (visual climax)]
The camera rotates around the giant ship at high speed (spiral orbit shot).
The sun penetrates through the cracks in the clouds, forming a sacred pillar of light.
The water flow is rotated and pulled into a spiral shape, like a galaxy structure.
The hull slowly flips over, revealing its massive structure:
Similar to "mobile civilization relics" rather than transportation.
【27–30 seconds|Ultimate vision · Revealing the scale of civilization】
The camera zooms out very quickly to a space-level perspective.
The ocean, ruins, rising giant ships, and sculpture temples are arranged vertically on the same screen:
Forming the three-section cosmic structure of "undersea civilization-sea surface-sky light layer".
The whole world is like an awakened memory system of an ancient planet.
In the end, the picture slowly faded into a black screen, with only faint light spots remaining.
Epic science fiction aesthetics / Dune wind and sand sea civilization structure / Interstellar level spatial scale / Characterless narrative / Sculpture civilization ruins / Alien temple structure / Volumetric light penetrating sea water / Collapse and reorganization of giant buildings / Sacred ritual shots / Spiral mirror movement / Ocean of stardust particles / High dynamic range movie-level reality

Case 11: Film and TV 8

Film and TV 8

Play video · Click the thumbnail to play the video.

Prompt:

The theme is "Mechanical Flower Blooming". The picture needs to highlight the advantages of the generated video model in terms of light and shadow, art details, realism, camera movement and character cinematic feel. The overall style is a high-end technology brand advertisement with strong visual impact. The video uses a one-shot macro shot, starting from the metal flower buds in the dark, gradually entering the precise mechanical structure inside the petals, and finally ending with the mechanical flower fully blooming and the light spreading outward as the climax. Requires real physical lighting, exquisite metal and glass materials, delicate mechanical movement, stable composition, film-level color grading, and no subtitles

Case 12: Popular Science 9

Popular Science 9

Play video · Click the thumbnail to play the video.

Prompt:

Overall style requirements: rock color plane animation, Oriental and Silk Road decorative aesthetics, mineral pigment texture, cinnabar red, ocher, stone green, ultramarine, gold embellishments, paper and mural textures, plane layering, no real photography, no 3D realism. The rhythm of the picture changes from stillness to movement, and then from movement back to stillness, highlighting the sense of journey and richness of "from land to cup". The music is cheerful and Western style.
Shot 1: The branches are beginning to appear, and the richness begins (0-4 seconds)
Blocks of ocher and vermilion bloom on the paper of the Silk Road painting, and a pomegranate branch stretches out from the right side of the painting. The leaves are thick and have obvious layers of mineral pigments. A plump pomegranate slowly appeared on the branch. Its shell was red with gold in it, and its outline was round and quiet. The sunlight falls on the peel with golden round spots and gold foil dots. The surface of the pomegranate has a warm luster, like a fruit that has been ripened by time. The opening temperament is rich but restrained.
Shot 2: Take it off gently and the journey begins (4-7 seconds)
The pomegranate was gently picked by a maid from the Western Regions with smooth and elegant movements. Curly grass patterns, ancient patterns and decorative long scroll compositions gradually emerge in the background, suggesting that it comes from a distant land. The picture naturally transitions from static branches to the unfolding of the journey. Mountains, roads and towns begin to lay out flatly in the background, like a long silk road being slowly unfolded.
Shot 3: Crossing ancient roads and crossing mountains and rivers (7-13 seconds)
The silhouettes of the camel team move forward slowly, the bells represent the rhythm with tiny golden dots, and pomegranates appear in the camel's backpack. The ancient road passes through sand dunes, oasis and city gates. The wind and sand pass by in flowing patterns, and the road outlined by the golden line continues to extend into the distance. The colors are strong and high-end, like a fusion of Silk Road murals and rock color illustrations. The pomegranate has always been bright and full during the long journey, as if it has preserved the sunshine, heat and richness of the distant land to this day.
Shot 4: Transition between ancient and modern times, arriving at the present moment (13-16 seconds)
The ancient patterns and architectural outlines in the background are gradually simplified, and time quietly transitions to modern space. The pomegranate is placed on a modern countertop, and the tabletop and utensils are presented with simple plane geometry. The ancient and modern visions are connected in the same picture, and the rhythm of the picture changes from "traveling" to "arrival".
Shot 5: Cutting the pomegranate, visual climax (16-20 seconds)
Gently cut open the pomegranate with one hand, using slow and restrained movements. The moment when the peel peels open is very ritualistic.
Shot 6: Squeezed into juice, flowing abundantly (20-24 seconds)
The seeds enter the vessel and are squeezed into rich pomegranate juice. The liquid flows with a deep red and transparent texture, with fine rock-colored particles. Pomegranate juice is slowly poured into a modern glass. The outline of the glass is clear and concise. The red liquid rises in the glass, with slight ripples and highlights on the surface. A few ice cubes fell into the cup, and the cold white and deep red contrasted sharply. Fine water droplets appeared on the wall of the cup, and the refreshing feeling was filled.
Shot 7: Modern drinking, journey to completion (24-27 seconds)
The background is cut into a modern life scene, and the window light, tabletop, fabrics and plants maintain flat decorative features and warm colors. The juice cup is placed in the center of the picture, with patterns of ancient roads, camel caravans, and city gates vaguely superimposed around it, suggesting that this cup of juice comes from a long journey. The atmosphere is rich, warm and calm.
Shot 8: Time converges, poster-style ending (27-30 seconds)
The ancient road patterns in the background gradually merge with the modern space, like time converging in this glass of juice. The picture briefly flashes back to the pomegranate on the branch, the shadow of the camel on the ancient road and the red seeds, forming a complete circuit "from the ground to the cup". Finally, it is gathered into an advertising poster-like composition: deep red pomegranate juice is placed in the center, with a cracked pomegranate next to the cup, surrounded by ancient road patterns, golden light spots and modern life elements. The picture is quiet but full of vitality, like a journey spanning time and land that has finally arrived at the present moment. The advertising slogan is "seedance, a gift from the Western Regions."

Pushing narrative boundaries

Case 13: Breaking through the boundaries of narrative - 30 seconds of continuity - output - 1

Breaking through the boundaries of narrative - 30 seconds of continuity - output - 1

Play video · Click the thumbnail to play the video.

Reference assets: 8

Prompt:

From left to right, the camera steadily follows a man in a black coat (refer to<<<image_1_1>>>) through six connected rooms of different colors and atmospheres. The structure of each room is the same: white walls, herringbone light wooden floors, French double floor-to-ceiling windows, and white gauze curtains, refer to<<<image_2_2>>>, but the scenery outside the window and the indoor atmosphere are completely different. The protagonist moves at a constant speed throughout the game, passing through every open door on the wall.
0-5 seconds, the first room, the theme is American comic fighting, the protagonist enters the room and fights the character (<<<image_3_3>>>), the character loses;
5-10 seconds, the second room, the theme is warm, felt style, the scene outside the window is a sunflower field (<<<image_4_4>>>), the indoor light is warm orange and soft, and a painter is painting sunflowers (<<<image_5_5>>>). The protagonist also changes into a felt style after entering;
10-15 seconds, the third room, the theme is sadness, the whole picture is in the style of black and white comic stop-motion animation, it is raining outside the window, the light inside is cold and gray, a person is sitting alone on the floor in the center of the empty room, lowering his head and hugging his knees, and a mobile phone next to him lights up the call interface with no one answering. After the protagonist enters the room, he turns off the lights in the room and immediately turns on the lights. The room becomes colorful and flowers grow all over the house in an instant;
15-20 seconds, the fourth room, the theme is joy, the whole scene is a room soaked in the sea, refer to<<<image_6_6>>>, the protagonist swims into the room, with beautiful coral reefs and fish schools beside him;
20-25 seconds, the fifth room, the theme is surprise, the scene outside the window is full of fireworks in the night sky, refer to<<<image_7_7>>>, the indoor light is colored and flickered, and the protagonist is involved in the cheering atmosphere.
After 25-30 seconds, the protagonist finally comes to a blank room, stands in the center and snaps his fingers. At the same time, the sound effect is a snapping sound, the entire screen is black, and the word "seedance" appears in the middle, refer to<<<image_8_8>>>.
The overall film quality is high-end fashion advertising style. The light is completely determined by the scene outside the window, creating a strong emotional contrast. There is no text in the picture.

Note

This official case also includes reference assets listed in the manifest.


Case 14: Breaking through the boundaries of narrative - 30 seconds of continuity - output - 2

Breaking through the boundaries of narrative - 30 seconds of continuity - output - 2

Play video · Click the thumbnail to play the video.

Reference assets: 3

Prompt:

Produce a 30-second short popular science video about the three thousand years of evolution of football. The entire film uses the same ball as the main visual line. The ball rolls, travels, and deforms from ancient times, connecting different civilizations and eras. The overall rhythm is compact, the graphics are high-end, the historical science short film is combined with artistic transitions to highlight the feeling of a ball spanning three thousand years, and the oral broadcast is simple and powerful.
At the beginning, an ancient ball slowly appeared from the black background with a texture of time on the surface, and then rolled into a Cuju scene from the Warring States Period in China. The picture turned into an ink style, referencing the style of<<<image_1_1>>>. Ancient people dressed in ancient costumes played Cuju in the courtyard with elegant movements and the ball bounced under their feet. Oral broadcast: Football story, starting with Cuju.
Then, the ball continues to roll forward, and the picture naturally transitions to an ancient Greek ball game scene. The picture is in the style of a classical oil painting, and the style refers to<<<image_2_2>>>. The background of the square and stone pillars is obvious, and people wearing ancient Greek robes play football. The picture is thick and historical. Word of mouth: Greeks also love ball games.
Then the ball rolled into medieval Europe, and the picture still maintained the style of oil painting. Villages, mud fields, and ordinary people chased the ball. The atmosphere was warm and rough, just like ancient folk football continuing the fire. Oral Broadcast: European folk continue the football game.
Then the ball was kicked out, and the screen switched to a black and white documentary style. Referring to<<<image_3_3>>>, we came to England in 1863. Gentlemen, clubs, and grass pitches gradually appeared, symbolizing the official birth of modern football. This ball showed the standard appearance of modern football for the first time. Spoken: 1863, modern football takes shape.
Then the scene quickly enters the modern era, with the ball spinning in the air, bringing out key development nodes in turn. The lights, stadium, spectators, trophies, and different scenes around the world are intertwined, showing that football has evolved from a local sport to a global one.
At the end, the ball is in the center of a modern stadium, and crowds and cheers from all over the world merge in the background, forming the feeling of "a ball connecting the world". The picture is grand and epic. Oral broadcast: Now, football connects the whole world.

Note

This official case also includes reference assets listed in the manifest.


Case 15: Breaking through the boundaries of narrative - 30 seconds of continuity - output - 3

Breaking through the boundaries of narrative - 30 seconds of continuity - output - 3

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Reference assets: 6

Prompt:

A 30-second tutorial video on how to install and use a capsule coffee machine.
0-2 seconds, the title text at the beginning is: seedance capsule coffee machine installation and use tutorial
2-5 seconds, step 1: install water tank, refer to<<<image_1_1>>>Lens: Medium shot, slightly overhead view Position: Action on the back of the fuselage: Align the water tank with the slot on the back of the fuselage, push it vertically downwards, and hear a "click" sound to lock it in place. Requirements: Clearly display the alignment relationship between the buckle at the bottom of the water tank and the slot on the fuselage, and the water level line can be seen in the transparent part of the water tank.
Narrator: "First, install the water tank."
5-9 seconds, step 2: Install the drip tray, refer to<<<image_2_2>>>Lens: Close-up, front view, Position: In front of the bottom of the fuselage, Action: Push the drip tray into the guide rail at the bottom of the fuselage in parallel, push it until the bottom is completely fitted, Requirements: Show the guide rail alignment process, highlight the smoothness of the sliding action
Narrator: "Next align the pallet with the bottom rails."
9-13 seconds, step 3: Install the waste capsule collection box, refer to<<<image_3_3>>>Lens: Close-up, slightly elevated angle of view, Position: Cavity below the drip tray, Action: Align the collection box with the groove and push it in, flush with the drip tray. Requirements: Show the fitting relationship between the collection box and the fuselage, and confirm that it is installed in place
Narrator: "Then put it into the capsule collection box."
13-18 seconds, step 4: first water injection, refer to<<<image_4_4>>>Lens: Close-up, side view, position: water tank on the top/back of the fuselage, action: open the water tank cover, pour water to the MAX water level, close the water tank cover, requirements: highlight the water level mark, and the water pouring is clearly visible
Narrator: "Open the water tank cover and pour in clean water. Be careful not to exceed the maximum water level."
The screen highlights the maximum water level.
18-25 seconds, step 5: power on, refer to<<<image_5_5>>>Shot: Medium shot, front view, Position: Front of the fuselage, Action: Plug in the power cord, press the power button, the indicator light changes from flashing to solid (preheating completed), Requirements: Close-up of the status changes of the power button and indicator light, reflecting the process of waiting until ready
Narrator: "Plug in the power and press the power button."
25-30 seconds, step 6: first rinse (without placing the capsule), refer to<<<image_6_6>>>Lens: medium shot to close-up, front view, position: front of the fuselage, cup under the water outlet, action: press the extraction button directly without inserting the capsule, hot water flows out of the flushing pipe, and water flows into the cup. Requirements: Emphasize the prompt mark "No need to put a capsule" and show the entire process of flushing water out.
Narrator: "The last step is to rinse for the first time. No need to put in the capsule, just press the extraction button. Your coffee machine is ready for official use."

Note

This official case also includes reference assets listed in the manifest.


Case 16: Pushing Narrative Boundaries-More Reference Input-Output-1

Pushing Narrative Boundaries-More Reference Input-Output-1

Play video · Click the thumbnail to play the video.

Reference assets: 17

Prompt:

Core instructions: A 26-second one-shot narrative short film, with stable tracking and interweaving, refer to<<<video_1_1>>>, and smooth surround movement, refer to<<<video_2_2>>>. Smooth travel feeling. The alternation of day and night and the flow of the four seasons are realized within the lens. The protagonist is a European woman<<<image_1_3>>>, placed in a sea of ​​people full of fireworks, highlighting the ultimate sense of loneliness and the quality of cinematography.
Segmented camera movement and scene description:
0-3 seconds (smooth back): The old wooden door<<<image_2_4>>>opens with a creak, and the camera follows the figure of a European woman wearing<<<image_3_5>>>walking out. He paused slightly at the threshold. The streets ahead were mottled with light and shadow, and the sounds of hawking and crowds were approaching. She looked distant and slowly walked into the street.
3-6 seconds (back and side tracking shot): The camera keeps a smooth follow-up, she walks into the crowded morning market, the atmosphere refers to<<<video_3_6>>>. The two sides were crowded with colorful fruit stalls and spice shops, and a group of street jugglers were breathing fire dragons, refer to<<<image_4_7>>>. The firelight illuminated the crowd, but she did not squint and walked through at a steady pace.
6-9 seconds (Smooth Surround from the Side): The camera begins to smoothly wrap around to the side and front, capturing the protagonist’s side face. She walked past the noisy butcher's shop<<<image_5_8>>>, and a young mother passed by him holding a baby<<<image_6_9>>>. The baby stared at her curiously, but she just lowered her eyes slightly to avoid looking, without stopping at all.
9-12 seconds (forward and backward follow-up shooting): The camera continues to circle directly in front of the protagonist and performs backward and follow-up shooting. The crowd in front suddenly retreated to both sides naturally like Moses parting the sea. A huge elephant<<<image_7_10>>>covered in gorgeous red cloth appeared from the right side of the screen with a steady pace, occupying most of the screen.
12-15 seconds (gap penetration and rewinding): At the moment when the woman and the elephant are about to collide, the camera cleverly slides through the narrow gap between the elephant and the woman, recirculating back to her back. The elephants passed by hugely and silently, and the urchins chased them with joy. Like bells and laughter, she didn't even slow down.
15-18 seconds (ambient light and shadow gradient): As she walks, the light and shadow in the long shot change magically - the dazzling sunlight in midsummer softens instantly, a breeze rolls up the golden leaves<<<video_2_2>>>0 in the sky, and the season seamlessly transitions to late autumn in the same long shot. Fallen leaves brushed her shoulders.
18-21 seconds (360-degree immersive surround): The front suddenly falls into a grand street celebration<<<video_2_2>>>1. Colorful ribbons and shredded paper burst into the air, and vendors leaned out to cheer. At this moment, the camera unfolds a continuous 360-degree panning movement, creating an extremely strong visual tear between the quiet and lonely protagonist and the frenzied surroundings.
21-24 seconds (circling back to the side and back): When the camera circled around and returned to her side and back, the falling ribbons had quietly turned into snow all over the sky - it was winter in an instant<<<video_2_2>>>2. Pedestrians held up umbrellas or put on hoods, and women shrank slightly, turned up their coat collars, changed into<<<video_2_2>>>3, and continued to walk alone in the snow.
24-26 seconds (slow push and beat): As she walked towards the end of the long street, the sky darkened at a speed visible to the naked eye, and the day sank seamlessly into the night. The dim street lights on both sides and the light bulbs of the stalls were turned on one after another<<<video_2_2>>>4. The vendors were packing up their goods. The noise seemed to be slowly absorbed and distant by the heavy snow, and her steps gradually slowed down. Grand fireworks suddenly bloomed in the night sky<<<video_2_2>>>5, the sound of fireworks blooming refers to<<<video_2_2>>>6. Colorful light spots flickered and jumped on the building walls and in her eyes. The world is still lively, but she looks up quietly, the camera slowly zooms out, and ends here gently.

Note

This official case also includes reference assets listed in the manifest.


Case 17: Breaking the boundaries of narrative-more reference input-reference video-1-1

Breaking the boundaries of narrative-more reference input-reference video-1-1

Play video · Click the thumbnail to play the video.

Reference assets: 17

Prompt:

Core instructions: A 26-second one-shot narrative short film, with stable tracking and interweaving, refer to<<<video_1_1>>>, and smooth surround movement, refer to<<<video_2_2>>>. Smooth travel feeling. The alternation of day and night and the flow of the four seasons are realized within the lens. The protagonist is a European woman<<<image_1_3>>>, placed in a sea of ​​people full of fireworks, highlighting the ultimate sense of loneliness and the quality of cinematography.
Segmented camera movement and scene description:
0-3 seconds (smooth back): The old wooden door<<<image_2_4>>>opens with a creak, and the camera follows the figure of a European woman wearing<<<image_3_5>>>walking out. He paused slightly at the threshold. The streets ahead were mottled with light and shadow, and the sounds of hawking and crowds were approaching. She looked distant and slowly walked into the street.
3-6 seconds (back and side tracking shot): The camera keeps a smooth follow-up, she walks into the crowded morning market, the atmosphere refers to<<<video_3_6>>>. The two sides were crowded with colorful fruit stalls and spice shops, and a group of street jugglers were breathing fire dragons, refer to<<<image_4_7>>>. The firelight illuminated the crowd, but she did not squint and walked through at a steady pace.
6-9 seconds (Smooth Surround from the Side): The camera begins to smoothly wrap around to the side and front, capturing the protagonist’s side face. She walked past the noisy butcher's shop<<<image_5_8>>>, and a young mother passed by him holding a baby<<<image_6_9>>>. The baby stared at her curiously, but she just lowered her eyes slightly to avoid looking, without stopping at all.
9-12 seconds (forward and backward follow-up shooting): The camera continues to circle directly in front of the protagonist and performs backward and follow-up shooting. The crowd in front suddenly retreated to both sides naturally like Moses parting the sea. A huge elephant<<<image_7_10>>>covered in gorgeous red cloth appeared from the right side of the screen with a steady pace, occupying most of the screen.
12-15 seconds (gap penetration and rewinding): At the moment when the woman and the elephant are about to collide, the camera cleverly slides through the narrow gap between the elephant and the woman, recirculating back to her back. The elephants passed by hugely and silently, and the urchins chased them with joy. Like bells and laughter, she didn't even slow down.
15-18 seconds (ambient light and shadow gradient): As she walks, the light and shadow in the long shot change magically - the dazzling sunlight in midsummer softens instantly, a breeze rolls up the golden leaves<<<video_2_2>>>0 in the sky, and the season seamlessly transitions to late autumn in the same long shot. Fallen leaves brushed her shoulders.
18-21 seconds (360-degree immersive surround): The front suddenly falls into a grand street celebration<<<video_2_2>>>1. Colorful ribbons and shredded paper burst into the air, and vendors leaned out to cheer. At this moment, the camera unfolds a continuous 360-degree panning movement, creating an extremely strong visual tear between the quiet and lonely protagonist and the frenzied surroundings.
21-24 seconds (circling back to the side and back): When the camera circled around and returned to her side and back, the falling ribbons had quietly turned into snow all over the sky - it was winter in an instant<<<video_2_2>>>2. Pedestrians held up umbrellas or put on hoods, and women shrank slightly, turned up their coat collars, changed into<<<video_2_2>>>3, and continued to walk alone in the snow.
24-26 seconds (slow push and beat): As she walked towards the end of the long street, the sky darkened at a speed visible to the naked eye, and the day sank seamlessly into the night. The dim street lights on both sides and the light bulbs of the stalls were turned on one after another<<<video_2_2>>>4. The vendors were packing up their goods. The noise seemed to be slowly absorbed and distant by the heavy snow, and her steps gradually slowed down. Grand fireworks suddenly bloomed in the night sky<<<video_2_2>>>5, the sound of fireworks blooming refers to<<<video_2_2>>>6. Colorful light spots flickered and jumped on the building walls and in her eyes. The world is still lively, but she looks up quietly, the camera slowly zooms out, and ends here gently.

Note

This official case also includes reference assets listed in the manifest.


Case 18: Breaking the boundaries of narrative-more reference input-reference video-1-2

Breaking the boundaries of narrative-more reference input-reference video-1-2

Play video · Click the thumbnail to play the video.

Reference assets: 17

Prompt:

Core instructions: A 26-second one-shot narrative short film, with stable tracking and interweaving, refer to<<<video_1_1>>>, and smooth surround movement, refer to<<<video_2_2>>>. Smooth travel feeling. The alternation of day and night and the flow of the four seasons are realized within the lens. The protagonist is a European woman<<<image_1_3>>>, placed in a sea of ​​people full of fireworks, highlighting the ultimate sense of loneliness and the quality of cinematography.
Segmented camera movement and scene description:
0-3 seconds (smooth back): The old wooden door<<<image_2_4>>>opens with a creak, and the camera follows the figure of a European woman wearing<<<image_3_5>>>walking out. He paused slightly at the threshold. The streets ahead were mottled with light and shadow, and the sounds of hawking and crowds were approaching. She looked distant and slowly walked into the street.
3-6 seconds (back and side tracking shot): The camera keeps a smooth follow-up, she walks into the crowded morning market, the atmosphere refers to<<<video_3_6>>>. The two sides were crowded with colorful fruit stalls and spice shops, and a group of street jugglers were breathing fire dragons, refer to<<<image_4_7>>>. The firelight illuminated the crowd, but she did not squint and walked through at a steady pace.
6-9 seconds (Smooth Surround from the Side): The camera begins to smoothly wrap around to the side and front, capturing the protagonist’s side face. She walked past the noisy butcher's shop<<<image_5_8>>>, and a young mother passed by him holding a baby<<<image_6_9>>>. The baby stared at her curiously, but she just lowered her eyes slightly to avoid looking, without stopping at all.
9-12 seconds (forward and backward follow-up shooting): The camera continues to circle directly in front of the protagonist and performs backward and follow-up shooting. The crowd in front suddenly retreated to both sides naturally like Moses parting the sea. A huge elephant<<<image_7_10>>>covered in gorgeous red cloth appeared from the right side of the screen with a steady pace, occupying most of the screen.
12-15 seconds (gap penetration and rewinding): At the moment when the woman and the elephant are about to collide, the camera cleverly slides through the narrow gap between the elephant and the woman, recirculating back to her back. The elephants passed by hugely and silently, and the urchins chased them with joy. Like bells and laughter, she didn't even slow down.
15-18 seconds (ambient light and shadow gradient): As she walks, the light and shadow in the long shot change magically - the dazzling sunlight in midsummer softens instantly, a breeze rolls up the golden leaves<<<video_2_2>>>0 in the sky, and the season seamlessly transitions to late autumn in the same long shot. Fallen leaves brushed her shoulders.
18-21 seconds (360-degree immersive surround): The front suddenly falls into a grand street celebration<<<video_2_2>>>1. Colorful ribbons and shredded paper burst into the air, and vendors leaned out to cheer. At this moment, the camera unfolds a continuous 360-degree panning movement, creating an extremely strong visual tear between the quiet and lonely protagonist and the frenzied surroundings.
21-24 seconds (circling back to the side and back): When the camera circled around and returned to her side and back, the falling ribbons had quietly turned into snow all over the sky - it was winter in an instant<<<video_2_2>>>2. Pedestrians held up umbrellas or put on hoods, and women shrank slightly, turned up their coat collars, changed into<<<video_2_2>>>3, and continued to walk alone in the snow.
24-26 seconds (slow push and beat): As she walked towards the end of the long street, the sky darkened at a speed visible to the naked eye, and the day sank seamlessly into the night. The dim street lights on both sides and the light bulbs of the stalls were turned on one after another<<<video_2_2>>>4. The vendors were packing up their goods. The noise seemed to be slowly absorbed and distant by the heavy snow, and her steps gradually slowed down. Grand fireworks suddenly bloomed in the night sky<<<video_2_2>>>5, the sound of fireworks blooming refers to<<<video_2_2>>>6. Colorful light spots flickered and jumped on the building walls and in her eyes. The world is still lively, but she looks up quietly, the camera slowly zooms out, and ends here gently.

Note

This official case also includes reference assets listed in the manifest.


Case 19: Breaking the boundaries of narrative-more reference input-reference video-1-6

Breaking the boundaries of narrative-more reference input-reference video-1-6

Play video · Click the thumbnail to play the video.

Reference assets: 17

Prompt:

Core instructions: A 26-second one-shot narrative short film, with stable tracking and interweaving, refer to<<<video_1_1>>>, and smooth surround movement, refer to<<<video_2_2>>>. Smooth travel feeling. The alternation of day and night and the flow of the four seasons are realized within the lens. The protagonist is a European woman<<<image_1_3>>>, placed in a sea of ​​people full of fireworks, highlighting the ultimate sense of loneliness and the quality of cinematography.
Segmented camera movement and scene description:
0-3 seconds (smooth back): The old wooden door<<<image_2_4>>>opens with a creak, and the camera follows the figure of a European woman wearing<<<image_3_5>>>walking out. He paused slightly at the threshold. The streets ahead were mottled with light and shadow, and the sounds of hawking and crowds were approaching. She looked distant and slowly walked into the street.
3-6 seconds (back and side tracking shot): The camera keeps a smooth follow-up, she walks into the crowded morning market, the atmosphere refers to<<<video_3_6>>>. The two sides were crowded with colorful fruit stalls and spice shops, and a group of street jugglers were breathing fire dragons, refer to<<<image_4_7>>>. The firelight illuminated the crowd, but she did not squint and walked through at a steady pace.
6-9 seconds (Smooth Surround from the Side): The camera begins to smoothly wrap around to the side and front, capturing the protagonist’s side face. She walked past the noisy butcher's shop<<<image_5_8>>>, and a young mother passed by him holding a baby<<<image_6_9>>>. The baby stared at her curiously, but she just lowered her eyes slightly to avoid looking, without stopping at all.
9-12 seconds (forward and backward follow-up shooting): The camera continues to circle directly in front of the protagonist and performs backward and follow-up shooting. The crowd in front suddenly retreated to both sides naturally like Moses parting the sea. A huge elephant<<<image_7_10>>>covered in gorgeous red cloth appeared from the right side of the screen with a steady pace, occupying most of the screen.
12-15 seconds (gap penetration and rewinding): At the moment when the woman and the elephant are about to collide, the camera cleverly slides through the narrow gap between the elephant and the woman, recirculating back to her back. The elephants passed by hugely and silently, and the urchins chased them with joy. Like bells and laughter, she didn't even slow down.
15-18 seconds (ambient light and shadow gradient): As she walks, the light and shadow in the long shot change magically - the dazzling sunlight in midsummer softens instantly, a breeze rolls up the golden leaves<<<video_2_2>>>0 in the sky, and the season seamlessly transitions to late autumn in the same long shot. Fallen leaves brushed her shoulders.
18-21 seconds (360-degree immersive surround): The front suddenly falls into a grand street celebration<<<video_2_2>>>1. Colorful ribbons and shredded paper burst into the air, and vendors leaned out to cheer. At this moment, the camera unfolds a continuous 360-degree panning movement, creating an extremely strong visual tear between the quiet and lonely protagonist and the frenzied surroundings.
21-24 seconds (circling back to the side and back): When the camera circled around and returned to her side and back, the falling ribbons had quietly turned into snow all over the sky - it was winter in an instant<<<video_2_2>>>2. Pedestrians held up umbrellas or put on hoods, and women shrank slightly, turned up their coat collars, changed into<<<video_2_2>>>3, and continued to walk alone in the snow.
24-26 seconds (slow push and beat): As she walked towards the end of the long street, the sky darkened at a speed visible to the naked eye, and the day sank seamlessly into the night. The dim street lights on both sides and the light bulbs of the stalls were turned on one after another<<<video_2_2>>>4. The vendors were packing up their goods. The noise seemed to be slowly absorbed and distant by the heavy snow, and her steps gradually slowed down. Grand fireworks suddenly bloomed in the night sky<<<video_2_2>>>5, the sound of fireworks blooming refers to<<<video_2_2>>>6. Colorful light spots flickered and jumped on the building walls and in her eyes. The world is still lively, but she looks up quietly, the camera slowly zooms out, and ends here gently.

Note

This official case also includes reference assets listed in the manifest.


Case 20: Pushing Narrative Boundaries-More Reference Input-Output-2

Pushing Narrative Boundaries-More Reference Input-Output-2

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Reference assets: 7

Prompt:

The style of the commercial is bright and colorful, with fruity biscuits as the protagonist, including four flavors: strawberry, apple, grape, and orange. The strawberry flavor refers to<<<image_1_1>>>. The biscuits and corresponding fruits are arranged in a geometric array with a strong sense of order. The overall picture is clean, advanced, and rhythmic. The opening fruit quickly establishes visual focus, referring to the composition of<<<video_1_2>>>, and the music is re-beated. Then the biscuits of different flavors are neatly arranged and cut into close-ups, referring to the dynamics and camera movements of<<<video_2_3>>>. During the climax, a biscuit is broken and instantly enters slow motion. The fruity sandwich explodes, crumbs fly, and the juice and particle impact are magnified and displayed. Refer to the impact of<<<video_3_4>>>. The horizontal array forms a rhythmic parabola, referencing the movement of<<<video_4_5>>>, highlighting the beauty of order and product richness. Then quickly back to fast-paced editing. The ending English text One bite of crispness, a heart full of delight is quickly switched into the picture, combined with the strong rhythm text movement and product freeze-frame, refer to<<<video_5_6>>>, and finally the brand sense is wrapped up, and the biscuits and fruits are spread out in all directions, refer to<<<video_6_7>>>. The picture is full of young, energetic, delicious, and want to share advertising atmosphere.

Note

This official case also includes reference assets listed in the manifest.


Case 21: Breaking the boundaries of narrative-more reference input-reference video-2-2

Breaking the boundaries of narrative-more reference input-reference video-2-2

Play video · Click the thumbnail to play the video.

Reference assets: 7

Prompt:

The style of the commercial is bright and colorful, with fruity biscuits as the protagonist, including four flavors: strawberry, apple, grape, and orange. The strawberry flavor refers to<<<image_1_1>>>. The biscuits and corresponding fruits are arranged in a geometric array with a strong sense of order. The overall picture is clean, advanced, and rhythmic. The opening fruit quickly establishes visual focus, referring to the composition of<<<video_1_2>>>, and the music is re-beated. Then the biscuits of different flavors are neatly arranged and cut into close-ups, referring to the dynamics and camera movements of<<<video_2_3>>>. During the climax, a biscuit is broken and instantly enters slow motion. The fruity sandwich explodes, crumbs fly, and the juice and particle impact are magnified and displayed. Refer to the impact of<<<video_3_4>>>. The horizontal array forms a rhythmic parabola, referencing the movement of<<<video_4_5>>>, highlighting the beauty of order and product richness. Then quickly back to fast-paced editing. The ending English text One bite of crispness, a heart full of delight is quickly switched into the picture, combined with the strong rhythm text movement and product freeze-frame, refer to<<<video_5_6>>>, and finally the brand sense is wrapped up, and the biscuits and fruits are spread out in all directions, refer to<<<video_6_7>>>. The picture is full of young, energetic, delicious, and want to share advertising atmosphere.

Note

This official case also includes reference assets listed in the manifest.


Case 22: Breaking the boundaries of narrative-more reference input-reference video-2-3

Breaking the boundaries of narrative-more reference input-reference video-2-3

Play video · Click the thumbnail to play the video.

Reference assets: 7

Prompt:

The style of the commercial is bright and colorful, with fruity biscuits as the protagonist, including four flavors: strawberry, apple, grape, and orange. The strawberry flavor refers to<<<image_1_1>>>. The biscuits and corresponding fruits are arranged in a geometric array with a strong sense of order. The overall picture is clean, advanced, and rhythmic. The opening fruit quickly establishes visual focus, referring to the composition of<<<video_1_2>>>, and the music is re-beated. Then the biscuits of different flavors are neatly arranged and cut into close-ups, referring to the dynamics and camera movements of<<<video_2_3>>>. During the climax, a biscuit is broken and instantly enters slow motion. The fruity sandwich explodes, crumbs fly, and the juice and particle impact are magnified and displayed. Refer to the impact of<<<video_3_4>>>. The horizontal array forms a rhythmic parabola, referencing the movement of<<<video_4_5>>>, highlighting the beauty of order and product richness. Then quickly back to fast-paced editing. The ending English text One bite of crispness, a heart full of delight is quickly switched into the picture, combined with the strong rhythm text movement and product freeze-frame, refer to<<<video_5_6>>>, and finally the brand sense is wrapped up, and the biscuits and fruits are spread out in all directions, refer to<<<video_6_7>>>. The picture is full of young, energetic, delicious, and want to share advertising atmosphere.

Note

This official case also includes reference assets listed in the manifest.


Case 23: Breaking the boundaries of narrative-more reference input-reference video-2-4

Breaking the boundaries of narrative-more reference input-reference video-2-4

Play video · Click the thumbnail to play the video.

Reference assets: 7

Prompt:

The style of the commercial is bright and colorful, with fruity biscuits as the protagonist, including four flavors: strawberry, apple, grape, and orange. The strawberry flavor refers to<<<image_1_1>>>. The biscuits and corresponding fruits are arranged in a geometric array with a strong sense of order. The overall picture is clean, advanced, and rhythmic. The opening fruit quickly establishes visual focus, referring to the composition of<<<video_1_2>>>, and the music is re-beated. Then the biscuits of different flavors are neatly arranged and cut into close-ups, referring to the dynamics and camera movements of<<<video_2_3>>>. During the climax, a biscuit is broken and instantly enters slow motion. The fruity sandwich explodes, crumbs fly, and the juice and particle impact are magnified and displayed. Refer to the impact of<<<video_3_4>>>. The horizontal array forms a rhythmic parabola, referencing the movement of<<<video_4_5>>>, highlighting the beauty of order and product richness. Then quickly back to fast-paced editing. The ending English text One bite of crispness, a heart full of delight is quickly switched into the picture, combined with the strong rhythm text movement and product freeze-frame, refer to<<<video_5_6>>>, and finally the brand sense is wrapped up, and the biscuits and fruits are spread out in all directions, refer to<<<video_6_7>>>. The picture is full of young, energetic, delicious, and want to share advertising atmosphere.

Note

This official case also includes reference assets listed in the manifest.


Case 24: Breaking the boundaries of narrative-more reference input-reference video-2-5

Breaking the boundaries of narrative-more reference input-reference video-2-5

Play video · Click the thumbnail to play the video.

Reference assets: 7

Prompt:

The style of the commercial is bright and colorful, with fruity biscuits as the protagonist, including four flavors: strawberry, apple, grape, and orange. The strawberry flavor refers to<<<image_1_1>>>. The biscuits and corresponding fruits are arranged in a geometric array with a strong sense of order. The overall picture is clean, advanced, and rhythmic. The opening fruit quickly establishes visual focus, referring to the composition of<<<video_1_2>>>, and the music is re-beated. Then the biscuits of different flavors are neatly arranged and cut into close-ups, referring to the dynamics and camera movements of<<<video_2_3>>>. During the climax, a biscuit is broken and instantly enters slow motion. The fruity sandwich explodes, crumbs fly, and the juice and particle impact are magnified and displayed. Refer to the impact of<<<video_3_4>>>. The horizontal array forms a rhythmic parabola, referencing the movement of<<<video_4_5>>>, highlighting the beauty of order and product richness. Then quickly back to fast-paced editing. The ending English text One bite of crispness, a heart full of delight is quickly switched into the picture, combined with the strong rhythm text movement and product freeze-frame, refer to<<<video_5_6>>>, and finally the brand sense is wrapped up, and the biscuits and fruits are spread out in all directions, refer to<<<video_6_7>>>. The picture is full of young, energetic, delicious, and want to share advertising atmosphere.

Note

This official case also includes reference assets listed in the manifest.


Case 25: Breaking the boundaries of narrative-more reference input-reference video-2-6

Breaking the boundaries of narrative-more reference input-reference video-2-6

Play video · Click the thumbnail to play the video.

Reference assets: 7

Prompt:

The style of the commercial is bright and colorful, with fruity biscuits as the protagonist, including four flavors: strawberry, apple, grape, and orange. The strawberry flavor refers to<<<image_1_1>>>. The biscuits and corresponding fruits are arranged in a geometric array with a strong sense of order. The overall picture is clean, advanced, and rhythmic. The opening fruit quickly establishes visual focus, referring to the composition of<<<video_1_2>>>, and the music is re-beated. Then the biscuits of different flavors are neatly arranged and cut into close-ups, referring to the dynamics and camera movements of<<<video_2_3>>>. During the climax, a biscuit is broken and instantly enters slow motion. The fruity sandwich explodes, crumbs fly, and the juice and particle impact are magnified and displayed. Refer to the impact of<<<video_3_4>>>. The horizontal array forms a rhythmic parabola, referencing the movement of<<<video_4_5>>>, highlighting the beauty of order and product richness. Then quickly back to fast-paced editing. The ending English text One bite of crispness, a heart full of delight is quickly switched into the picture, combined with the strong rhythm text movement and product freeze-frame, refer to<<<video_5_6>>>, and finally the brand sense is wrapped up, and the biscuits and fruits are spread out in all directions, refer to<<<video_6_7>>>. The picture is full of young, energetic, delicious, and want to share advertising atmosphere.

Note

This official case also includes reference assets listed in the manifest.


Case 26: Breaking the boundaries of narrative-more reference input-reference video-2-7

Breaking the boundaries of narrative-more reference input-reference video-2-7

Play video · Click the thumbnail to play the video.

Reference assets: 7

Prompt:

The style of the commercial is bright and colorful, with fruity biscuits as the protagonist, including four flavors: strawberry, apple, grape, and orange. The strawberry flavor refers to<<<image_1_1>>>. The biscuits and corresponding fruits are arranged in a geometric array with a strong sense of order. The overall picture is clean, advanced, and rhythmic. The opening fruit quickly establishes visual focus, referring to the composition of<<<video_1_2>>>, and the music is re-beated. Then the biscuits of different flavors are neatly arranged and cut into close-ups, referring to the dynamics and camera movements of<<<video_2_3>>>. During the climax, a biscuit is broken and instantly enters slow motion. The fruity sandwich explodes, crumbs fly, and the juice and particle impact are magnified and displayed. Refer to the impact of<<<video_3_4>>>. The horizontal array forms a rhythmic parabola, referencing the movement of<<<video_4_5>>>, highlighting the beauty of order and product richness. Then quickly back to fast-paced editing. The ending English text One bite of crispness, a heart full of delight is quickly switched into the picture, combined with the strong rhythm text movement and product freeze-frame, refer to<<<video_5_6>>>, and finally the brand sense is wrapped up, and the biscuits and fruits are spread out in all directions, refer to<<<video_6_7>>>. The picture is full of young, energetic, delicious, and want to share advertising atmosphere.

Note

This official case also includes reference assets listed in the manifest.


Case 27: Breaking through the boundaries of narrative-second-level screen control-output-1

Breaking through the boundaries of narrative-second-level screen control-output-1

Play video · Click the thumbnail to play the video.

Reference assets: 1

Prompt:

3D animation advertising style, bright and transparent colors, and the pulp and juice should have a strong sense of refreshing and impact. The overall temperament is like a high-quality commercial animation short film with a bit of exaggerated humor. The desert horned lizard character is cute, smart and expressive. Please refer to<<<image_1_1>>>. The texture of the picture refers to the soft natural light, fine fluff/skin texture, dreamy macro depth of field, and a real childlike feeling in the picture.
0-3 seconds: The picture shows a desert exposed to the scorching sun. The air was distorted by heat, the sand was hot, and smoke seemed to be rising in the distance. A desert horned lizard lay on the hot sand, its tongue hanging out slightly, its eyes unfocused, almost drying out in the sun. It took two steps and swayed, and the entire desert horned lizard was about to "evaporate".
Sound effects include the whirring sound of heat waves and a slightly exaggerated dry crackling sound.
3-6 seconds: The desert horned lizard suddenly stops and moves its nose. It looked down and saw a cold, plump grapefruit with water drops buried in the sand. The grapefruit shines brightly in the sun, with delicate skin, like a miracle that suddenly appeared in the desert.
The performing lizard's eyes widened instantly, as if seeing a life-saving straw.
The sound effect "ding" is a discovery sound effect.
6-8 seconds: The desert horned lizard swoops over, hugs the grapefruit with both hands, and presses its entire face against the peel. It has a happy expression of "finally alive". The image freezes for 1 second, forming an exaggerated and funny advertising memory point.
The sound effect plopped, then went silent for half a second.
Seconds 8-11: Screenshot of a desert horned lizard grabbing a grapefruit. The grapefruit peel is split open, and the plump flesh inside shines translucently. The next moment, the juice didn't flow out, but spewed out like a tsunami.
The sound effect is a "click" sound of biting open, followed by an exaggerated sound of juice popping.
11-16 seconds: The screen shows orange-pink, clear and shiny grapefruit juice pouring out crazily, pouring down the sand dunes, and quickly flooding the entire desert. The dry yellow sand instantly transforms into a cool, sparkling, fruity summer ocean. The cacti, stones, and small sand dunes in the desert are engulfed by the waves of juice, and the picture is exaggerated and dreamy.
The performance of the Desert Horned Lizard was very exciting at first, but the next second I realized something was wrong, and my expression changed from surprise to horror.
16-20 seconds: The desert horned lizard is almost submerged in the "grapefruit sea". It hurriedly hugs half of the grapefruit and floats on the sea like a lifebuoy. It stuck its head out wetly, with a confused expression. The sea surface is sparkling, the color is like juice illuminated by the sun.
The sound effects exaggerate the sound of flapping and waves, with a sense of comedy.
20-23 seconds: The screen suddenly cuts to white screen. The brand name and slogan appeared in the center of the screen: "Seedance grapefruit, what you bite into is the pulp, what comes out is summer."
The narrator reads the entire sentence: "Seedance grapefruit, what you bite into is the pulp, what comes out is summer."
Brand tone with clean and refreshing sound.
23-29 seconds: The screen switches back to white screen. The desert horned lizard is already sitting leisurely on a floating grapefruit, wearing a pair of small sunglasses, holding a sippy cup, and slowly floating on the "juice sea" for vacation. Orange pulp, small ice cubes, and cool water splashes floated around, the sky turned blue, and the atmosphere suddenly changed from "survival" to "vacation." In the end, the desert horned lizard rested on the grapefruit contentedly, and the camera zoomed out, freezing in a refreshing, bright, and fun summer scene.
Sound effects relaxing summer music, the sound of lapping waves.
The subtitles can only keep the brand name, without adding too many words.

Note

This official case also includes reference assets listed in the manifest.


Case 28: Breaking the boundaries of narrative-second-level screen control-output-2

Breaking the boundaries of narrative-second-level screen control-output-2

Play video · Click the thumbnail to play the video.

Reference assets: 1

Prompt:

30 seconds cinematic youth racing short film, 2d animation style. The protagonist is a young driver who drives a motorcycle to participate in high-profile competitions. The overall style is passionate, youthful, emotionally intense, and cinematic, with a complete beginning, transition, and clear emotional arc. Only two types of camera movements are used in the entire film: high-speed tracking and slow-motion surround. There are very few lines, and they appear naturally like memory fragments. The tone is sincere, gentle, and restrained, without shouting slogans or overly sensationalizing. Don’t feel disaster, don’t express negatively, and don’t exaggerate science fiction. It focuses on love, support, counterattack and growth in the race of youth.
0 seconds to 5 seconds
The track begins at dusk with high-speed and intense racing. The camera follows the young man's motorcycle closely to the ground at high speed. The tires skim the edge of the track. The motorcycle roars, the wind blows fiercely, and the atmosphere is tense and fiery. The young man was concentrating, and the setting sun drew sharp highlights on the metal shell of the car.
5 seconds to 9 seconds
After entering a key corner, the boy was suddenly overtaken by his opponent. The high-speed tracking continued, and the picture showed the oppressive feeling of the ranking declining and the rhythm being disrupted. In the close-up view of the helmet, there is temporary loss of concentration, tightness of breathing, and slight shaking. The boy whispered: "Can I still catch up..."
9 seconds to 14 seconds
The boy fell behind, his breathing became heavier, and his mood hit a low point. The race did not stop and the locomotive was still moving forward at high speed. The scene began to flash back warm memory fragments during high-speed riding: when he was learning to drive as a child, someone supported him from behind; his father arranged his helmet for him, his movements were meticulous and quiet; before the finish line, a gentle smile looked at him; and the back figures walking side by side on the slope at dusk. These memories are presented with golden backlighting, soft slow motion, and fragmented feelings.
14 seconds to 18 seconds
The music gradually turns from depressive to uplifting. A restrained and gentle voice came from the memory: "Don't be afraid — I'm always here." "Stay steady. And look forward." The young man's eyes refocused, his breathing slowly stabilized, and his mood changed from wavering to firm.
18 seconds to 23 seconds
The young man regained his confidence, accelerated with all his strength, and counterattacked accurately. The high-speed tracking shots show the power and control of the motorcycle when cornering, exiting corners, and approaching the car in front. The boy said quietly but firmly: "I won't stop here."
23 seconds to 27 seconds
An ascending track appeared ahead, and the boy sprinted at full speed against the setting sun. The picture only retains the sound of breathing, engine sounds and continuously rising music, without adding unnecessary lines. The locomotive soared into the air with the help of inertia and entered shocking slow motion. A gentle voice with a smile came from deep in my memory: "Go on."
27 seconds to 30 seconds
The camera circles the locomotive in mid-air for a slow-motion panoramic close-up. Push the emotions of passion, tenderness, freedom and upward leap to the climax. Flowers bloom behind you, followed by seedance, refer to<<<image_1_1>>>

Note

This official case also includes reference assets listed in the manifest.


Expand multilingual presentation

Case 29: Expand multilingual presentation-multilingual expression-output-1

Expand multilingual presentation-multilingual expression-output-1

Play video · Click the thumbnail to play the video.

Reference assets: 11

Prompt:

One-shot FPV drone first-person video, 33 seconds of continuous long shot, no editing, no jump cuts, no transitions. The camera starts from inside the high-altitude clouds and forms a continuous descending flight line along the clouds, fog, light and shadow, valleys, waterfalls, lakes, flower fields, urban buildings and near-ground squares. 11 clear and independent language display blocks appear in sequence throughout the process. Each block only displays the text corresponding to a single language. There is no mixing, overlapping, or adding other languages.
0–3 seconds,<<<image_1_1>>>clouds naturally form “Hello” in Chinese;
3–6 seconds,<<<image_2_2>>>Mist and volumetric light form English “Hello”;
6–9 seconds,<<<image_3_3>>>High-altitude water vapor and sunlight projection form the Spanish (Mexico) "Hola";
9–12 seconds,<<<image_4_4>>>Ribbon in the sky forming the Indonesian word “Halo”;
12–15 seconds,<<<image_5_5>>>kites formation forming “Hai” in Malay;
15–18 seconds,<<<image_6_6>>>Valley morning mist forms Thai “สวัสดี”;
18–21 seconds<<<image_7_7>>>Waterfall mist forming Arabic مرحبا
21-24 seconds,<<<image_8_8>>>The reflection on the lake and the ripples form the Portuguese word "Olá";
24–27 seconds,<<<image_9_9>>>Flower fields and meadows are naturally arranged into Vietnamese “Xin chào”;
27–30 seconds,<<<image_10_10>>>City glass buildings reflect light and shadow to form the Japanese word "こんにちは";
30–33 seconds,<<<image_2_2>>>0 Nearby fountain water mist, floor paving and light strips form the Korean word "안녕하세요".
The overall atmosphere is an early morning sunrise, with golden backlight, soft volumetric light, real clouds and fog, natural motion blur, and movie-level realism. The camera speed starts slowly from 3–5 m/s, gradually accelerates to 14–16 m/s across the natural landscape, and then slows down to 2–3 m/s to hover stably in the near-Earth square. Lens parameters: wide-angle lens, 24fps, smooth FPV drone movement, pitch gradually transitions from -5° to -18°, and finally returns to 0°; slight yaw ±10°, roll controlled at 0–10°, ensuring a continuous, stable, and realistic sense of flight from shot to shot.

Note

This official case also includes reference assets listed in the manifest.


Case 30: Expand multilingual presentation-multilingual expression-output-2

Expand multilingual presentation-multilingual expression-output-2

Play video · Click the thumbnail to play the video.

Reference assets: 9

Prompt:

Live-action style, fast editing, cinematic feel, 4K, 24fps, warm natural light, real character performances, natural lip sync, no subtitles. Taking the delivery of a flower as the core visual clue of the entire video, the flower quickly spreads from one country to the next, connecting different regions and people around the world. In every scene, a character takes the flowers, smiles sincerely, and says "thank you" in the local language. The overall rhythm is brisk and smooth, and the shots are dynamic, emphasizing the real street/life atmosphere, warm cross-cultural connections, and the transmission of goodwill between people.
Transition method: In the previous shot, a character handed the flower out of the screen, and in the next shot, another character caught the flower in the new scene.
Or use fast panning, motion blur, or foreground occlusion to complete seamless transitions
Maintain the visual continuity of the flowers in the picture to create the feeling of "one shot spreading across the world"
Lens style: hand-held follow-up shooting, slight lens shake, fast push and pull, combination of close-up and mid-shot, real ambient sound atmosphere, and movie-level street shooting texture. The background music is warm, brisk, and has a sense of world travel, and the ending fades out gently.
Scene 1<<<image_1_1>>>In a Chinese flower shop, a real life scene. The girl took a rose, looked at the camera, smiled, and said naturally: "Thank you!" The camera followed the flowers from the right side of the screen, and the girl gently raised the bouquet after receiving the flowers.
Scene 2<<<image_2_2>>>The streets of England, slightly cool weather, natural street scene. The man took a carnation, smiled, nodded, and said, "Thank you!" Through the transition, the flower was thrown from the previous scene into this scene.
Scene 3<<<image_3_3>>>Mexican market, rich in color and full of fireworks. The aunt took the bouquet of marigolds, clasped her hands together, and said warmly: "¡Gracias!" The camera quickly passed over the stall and the crowd, and the moment of receiving the flowers was frozen.
Scene 4<<<image_4_4>>>Indonesian countryside, natural sunlight shines. The child took a plumeria, smiled happily, bowed slightly, and said: "Terima kasih!" The camera had a sense of running, and the atmosphere was pure and natural.
Scene 5<<<image_5_5>>>The streets of Thailand are bustling with people. The vendor took a bunch of jasmine garlands, clasped his hands together, and said kindly: "ขอบคุณค่ะ!" The camera moved forward briskly, and the garlands swayed slightly in the sunlight.
Scene 6<<<image_6_6>>>Arabian courtyard, soft light and shadow, elegant environment. The lady took a desert rose, caressed her chest, smiled, and said, "شكراً!" The picture was quiet and warm, and the character's expression was sincere.
Scene 7<<<image_7_7>>>Brazilian community, the atmosphere is warm and lively. The boy took a gerbera and was very happy and said: "Obrigado!" The shot is rhythmic and full of life.
Scene 8<<<image_8_8>>>On a Japanese street, an office worker took a small flower from the lunch box, bowed politely, and said: "ありがとう!" The shot was short and neat, retaining the sense of urban rhythm.
Scene 9<<<image_9_9>>>Korean streets, modern urban feel. The young woman took a branch of azalea, naturally folded her hands, smiled and said, "감사합니다!" The camera paused for a moment as she smiled, and then the scene softly faded out.

Note

This official case also includes reference assets listed in the manifest.


Deeper controllable editing

Case 31: Controlled Edit 1 Output

Controlled Edit 1 Output

Play video · Click the thumbnail to play the video.

Reference assets: 2

Prompt:

Keep the characters, jungle environment, camera movement, composition, action pacing and duration of<<<video_1_1>>>unchanged.
A blue-white energy bow and a luminous arrow<<<image_1_2>>>slowly appear in the character's hand. The bow body is gradually formed by the polymerization of weak arcs and particles, with a delicate flowing current texture, slight volumetric light and stable energy outline. During the process of drawing the bow, the arrow condenses into a high-bright energy arrow in the center of the bow string. The moment the character lets go, the arrow shoots out at high speed, leaving a bright, slender, continuous and sharp energy trajectory.

Note

This official case also includes reference assets listed in the manifest.


Case 32: Controlled Editing 1 Reference

Controlled Editing 1 Reference

Play video · Click the thumbnail to play the video.

Reference assets: 2

Prompt:

Keep the characters, jungle environment, camera movement, composition, action pacing and duration of<<<video_1_1>>>unchanged.
A blue-white energy bow and a luminous arrow<<<image_1_2>>>slowly appear in the character's hand. The bow body is gradually formed by the polymerization of weak arcs and particles, with a delicate flowing current texture, slight volumetric light and stable energy outline. During the process of drawing the bow, the arrow condenses into a high-bright energy arrow in the center of the bow string. The moment the character lets go, the arrow shoots out at high speed, leaving a bright, slender, continuous and sharp energy trajectory.

Note

This official case also includes reference assets listed in the manifest.


Case 33: Controlled Edit 2 Output

Controlled Edit 2 Output

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Reference assets: 1

Prompt:

Delete the drone in the<<<video_1_1>>>screen and the foreground track/car body edge in the lower left corner, and naturally complete the deleted area.
Keep the giraffe group, tree branches, distant grassland, golden sunset backlight, aerial perspective and shot composition completely unchanged. The completed background should be consistent with the surrounding environment, generating natural sky, tree branch gaps, and grass details without smearing, flickering, deformation, ghosting, or beating. Ensure that the timing of the front and rear frames of the video is consistent, the motion is continuous, the edge transitions are natural, and the overall image is like the original real-shot picture.

Note

This official case also includes reference assets listed in the manifest.


Case 34: Controlled Editing 2 Reference

Controlled Editing 2 Reference

Play video · Click the thumbnail to play the video.

Reference assets: 1

Prompt:

Delete the drone in the<<<video_1_1>>>screen and the foreground track/car body edge in the lower left corner, and naturally complete the deleted area.
Keep the giraffe group, tree branches, distant grassland, golden sunset backlight, aerial perspective and shot composition completely unchanged. The completed background should be consistent with the surrounding environment, generating natural sky, tree branch gaps, and grass details without smearing, flickering, deformation, ghosting, or beating. Ensure that the timing of the front and rear frames of the video is consistent, the motion is continuous, the edge transitions are natural, and the overall image is like the original real-shot picture.

Note

This official case also includes reference assets listed in the manifest.


Case 35: Controlled Edit 3 Output

Controlled Edit 3 Output

Play video · Click the thumbnail to play the video.

Reference assets: 4

Prompt:

Replaced the original version of the two-person martial arts video<<<video_1_1>>>with an empty-handed test of the wind before a cold weapon duel.
The scene is replaced with a medieval stone castle platform, an ancient courtyard flat, a mountain fortress outer platform, or a simple stone brick duel field. The background is the ancient castle wall, wind, fog, distant mountain line, and the ground is flat and stone<<<image_1_2>>>.
The clothes of the man in dark clothes in the video are replaced by<<<image_2_3>>>, and the clothes of the man in light clothes in the video are replaced by<<<image_3_4>>>. The action remains the same, without changing the original rhythm.
AI special effects only enhance the environment and texture: wind blown clothes, light fog, a small amount of dust at contact points, metallic cold reflective texture, slight particles and epic color palette. The overall style is restrained, realistic, and a classic hardcore duel atmosphere. Background music stuck

Note

This official case also includes reference assets listed in the manifest.


Case 36: Controlled Editing 3 Reference

Controlled Editing 3 Reference

Play video · Click the thumbnail to play the video.

Reference assets: 4

Prompt:

Replaced the original version of the two-person martial arts video<<<video_1_1>>>with an empty-handed test of the wind before a cold weapon duel.
The scene is replaced with a medieval stone castle platform, an ancient courtyard flat, a mountain fortress outer platform, or a simple stone brick duel field. The background is the ancient castle wall, wind, fog, distant mountain line, and the ground is flat and stone<<<image_1_2>>>.
The clothes of the man in dark clothes in the video are replaced by<<<image_2_3>>>, and the clothes of the man in light clothes in the video are replaced by<<<image_3_4>>>. The action remains the same, without changing the original rhythm.
AI special effects only enhance the environment and texture: wind blown clothes, light fog, a small amount of dust at contact points, metallic cold reflective texture, slight particles and epic color palette. The overall style is restrained, realistic, and a classic hardcore duel atmosphere. Background music stuck

Note

This official case also includes reference assets listed in the manifest.


📁 Repository Structure

.
├── README.md
├── README.<lang>.md
├── assets/
│   ├── banner.png
│   └── thumbnails/
├── data/
│   ├── seedance-2-5-manifest.json
│   └── seedance-2-5-prompt-translations.json
└── use-cases/
    ├── README.md
    ├── en/
    │   ├── README.md
    │   ├── 01-consistency.md
    │   └── official-seedance-2-5-guide.md
    └── <lang>/
        ├── README.md
        └── official-seedance-2-5-guide.md

🙏 Acknowledge

This repository is maintained by EvoLink as a public guide for Seedance 2.5 .